War Horse
Spielberg finds a balance between heartfelt emotion, especially from seeing the war through Joey's eyes and the people he meets along the way, and the tragic problems the main characters face, for example the separation between Joey and Albert after we have watched them bond and connect in the first part of the film. It is those emotional contrasts that Spielberg translates onto the screen well, perhaps the best one being the contrast between the overall setting of the devastation and trauma of World War I and the love between the main character and his horse portrayed throughout the film.
We must live. We must hope. We must love and we must never ever stop dreaming.
With widescreen, pastoral vistas dappled in golden sunlight and washed in music (by John Williams) that is somehow both grand and folksy, Mr. Spielberg lays siege to your cynicism, bombarding you with strong and simple appeals to feeling.
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