Melancholy Mood

Hello like before

 

 

 I guess it's different
'Cause we know each other now
I guess I've always known
We'd meet again somehow
So that it might as well be now.

Air Force One, Havana, 20mar16

 

 

U.S. President Barack Obama and his wife, Michelle, take their first steps on Cuban soil after arriving at Havana's international airport on Sunday, March 20, for a three-day trip. Obama is only the second U.S. president to visit Cuba while in office--the first was Calvin Coolidge in 1928. And former president Jimmy Carter visited in 2011.



Each step a story, a song in the making

 

 

 

This is how he entered
This is how he came in.

 

(The broken hearts left behind)

My babe don't care for me

 

 

I wonder what's wrong with baby.

 

 

 

Love is

 

 

a smoke made with the fume of sights.

 

William Shakespeare

 

 

Cine Me

 

 

Room

 

 

http://www.imdb.com/title/tt3170832/

 

 

http://www.roomthemovie.com/?redirect=off

 

 

The spare yet emotionally sumptuous drama, based on Irish-Canadian author Emma Donoghue's award-winning 2010 novel that was inspired by similar real-life crimes, is not just a simple tale of terror or a suspenseful saga of survival, although it has elements of each scenario. Instead. “Room" is a soul-searing celebration of the impenetrable bond that endures even under the most unbearable of circumstances between a parent and a child.

 

 

Be warned, Room is a wrenching watch. It’s a story so abhorrent and seemingly hopeless that there may be times you don’t want it to go on, but within its tight confines Lenny Abrahamson, with a script by Emma Donoghue, finds warmth and hope. It is, against all odds, uplifting.

 

The brilliance of Lenny Abrahamson’s adaptation of Donoghue’s Booker Prize-nominated novel is in making us see these two worlds as one, Jack’s magic and Ma’s horror, like oil and water, emulsifying into a twisted truth that helps both keep a grip on sanity. 

 

 

One of the best things about “Room” is how such an intimate film manages to raise some big questions. What defines us as a person? What do we really need to live? Why are kids so astonishingly resilient when under duress? What happens when all your troubles disappear yet contentment persists in being an illusion? And what does a parent do when their child begins to outgrow their need for them?
In the end, we are rightfully left once more with mother and child. Together, they are able to close the door on the past and look to the future that is just dawning.

Nine year-old Tremblay gives one of the best child performances ever put on screen, utterly convincing as his world is cracked open. A lot of the credit for that has to go to Abrahamson. Very young child actors are only ever as good as their director.

 

Tough, but resilience is amply rewarded. If last year’s larky Frank suggested Abrahamson was a director to watch, this makes him a director to be cherished.