Room
The spare yet emotionally sumptuous drama, based on Irish-Canadian author Emma Donoghue's award-winning 2010 novel that was inspired by similar real-life crimes, is not just a simple tale of terror or a suspenseful saga of survival, although it has elements of each scenario. Instead. “Room" is a soul-searing celebration of the impenetrable bond that endures even under the most unbearable of circumstances between a parent and a child.
Be warned, Room is a wrenching watch. It’s a story so abhorrent and seemingly hopeless that there may be times you don’t want it to go on, but within its tight confines Lenny Abrahamson, with a script by Emma Donoghue, finds warmth and hope. It is, against all odds, uplifting.
The brilliance of Lenny Abrahamson’s adaptation of Donoghue’s Booker Prize-nominated novel is in making us see these two worlds as one, Jack’s magic and Ma’s horror, like oil and water, emulsifying into a twisted truth that helps both keep a grip on sanity.
In the end, we are rightfully left once more with mother and child. Together, they are able to close the door on the past and look to the future that is just dawning.
Nine year-old Tremblay gives one of the best child performances ever put on screen, utterly convincing as his world is cracked open. A lot of the credit for that has to go to Abrahamson. Very young child actors are only ever as good as their director.
Tough, but resilience is amply rewarded. If last year’s larky Frank suggested Abrahamson was a director to watch, this makes him a director to be cherished.
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