segunda-feira, 2 de fevereiro de 2015

Cine Me



The Theory of Everything


http://www.imdb.com/title/tt2980516/


http://www.thetheoryofeverythingmovie.co.uk/


Here is the sad and frustrating irony of “The Theory of Everything”: it’s a biopic about one of the most brilliant people in the history of the planet, the renowned astrophysicistStephen Hawking – a man famous for thinking in boldly innovative ways – yet his story is told in the safest and most conventional method imaginable.

Of course, Hawking’s story is inspiring – the way he’s battled motor neuron disease over the past 50 years and defied the odds not only to survive, but thrive. And in playing Hawking,Eddie Redmayne more than rises to the challenge of portraying the man's gradual physical deterioration but also conveying the spark of mental acuity that has remained, and marked all of Hawking’s important work. Nothing the 32-year-old actor has done previously (“Les Miserables,” “My Week With Marilyn”) suggested he had this sort of complexity in him. It’s an impressive performance, so much so that it makes you wish it were in the service of stronger material.

“The Theory of Everything” comes from screenwriter Anthony McCarten, based on “Travelling to Infinity: My Life With Stephen,” the memoir by Hawking’s first wife, Jane. A general feeling of tastefulness permeates the proceedings, as if everyone wanted to be overly respectful toward these people, and their life, and the access they provided, at the expense of revelations that might have seemed inappropriate or startling or, heaven forbid, thought-provoking.

We watch biopics for the same reason we read memoirs and obituariesto walk through the chapters of another person’s timeline, to feel that life has a narrative. But a successful biopic doesn’t just reenact events or an individual’s journey; it is a study in character. We go into a movie knowing that the subject was as genius or a hero, a martyr or titan. We should leave with a more nuanced understanding of who he was, his complexities and flaws. Amadeus gave us a Mozart who was as childish and irresponsible as he was genius. Milk showed us a man whose inexhaustible political zeal exhausted those closest to him.
Where both Theory and Imitation fall short, despite the efforts of their stars, is that they seek to glorify rather than to interrogate their subjects. Of course, both of these men deserve celebration. Hawking fundamentally changed our understanding of black holes, quantum mechanics, and relativity, all the while popularizing science with his best-selling A Brief History of Time. And Turing was responsible for breaking Enigma (Nazi Germany’s secret military code), inventing the computer, and saving millions of lives. His was a gripping, extraordinary tale, and Cumberbatch excels as Turing, his watery eyes, stiff jaw, and slight stutter conveying a man who is awkward and difficult, vulnerable and brilliant.

The Theory of Everything  is pleasing to watch, especially for Anglophiles who enjoy the predictable charms of Masterpiece Theater: period trappings and solid performances. But it leaves little lasting impression. After seeing this film, we know little more about Hawking  than what we could have gleaned from their Wikipedia pages. The fine actors portraying it, deserve better.


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